In this installation, an elastic band suggests the nature of space as an autonomous, senseless, shapeless, formless, borderless, and infinite material surrounding us.
Vektor, parallel to nothing, knows neither up nor down. Its location and angle has no sense. Its location and angle makes no sense.
Sculpture Garden, Neue Nationalgalerie, Berlin. Surrounding sculptures by Gerhard Marcks (Maja, 1942) and Henri Laurens (Der Herbst, 1948).
